STORYBOARDS AND CONCEPT ART. I WORK THROUGH A COMBINATION OF DIGITAL AND TRADITIONAL TECHNIQUES AND AM COMFORTABLE UTLIZING 3D MODELING SOFTWARE AND OTHER COMPUTER BASED IMAGE GENERATORS.
STORYBOARDS AND CONCEPT ART. I WORK THROUGH A COMBINATION OF DIGITAL AND TRADITIONAL TECHNIQUES AND AM COMFORTABLE UTLIZING 3D MODELING SOFTWARE AND OTHER COMPUTER BASED IMAGE GENERATORS.
DIRECTED BY: NICOLE MELILLO
Batcave and Batmobile concept with a less grounded less “Nolan” feel, and a more Batman: The Animated Series vibe.
Batcave and Batmobile concept with a less grounded less “Nolan” feel, and a more Batman: The Animated Series vibe.
The cockpit of the Batmobile. A more sci-fi cyber-punk take that imagines the classic vehicle with controls more akin to a fighter jet.
Pitch art sample
Pitch art sample
Pitch art sample
Inspired by the classic theater posters of Drew Struzan, Bob Peak, and Richard Amsel.
Character Design for a comic accurate Cyclops in live action. Design based on Paul Smith’s redesign in the early 1980’s
Character Design for a comic accurate Wolverine in live action. Design based on Johyn Byrne’s classic 1980’s “Brown Suit”
DIRECTED BY: DAVID BELL
CONCEPT ART FOR HERO PROPS AND PICTURE CARS
THIS CONCEPT ART WAS DRAWN UP FOR A PROP OF A GLASS OWL STATUE.
ALTERNATE DESIGN FOR THE COURT OF OWLS STATUE
A PROTO-BATMOBILE. MANY DESIGNS WERE COMPLETED FOR WHAT WOULD HAVE BEEN A CUSTOM PICTURE CAR. ULTIMATELY THE STUDIO MADE A DEAL WITH THE FORD MOTOR COMPANY.
ALTERNATE LOOK FOR THE PICTURE CAR. THIS ONE TOOK INSPIRATION FROM THE FRONT BUMPER OF THE 1989 BATMOBILE DESIGNED BY ANTON FURST.
ALTERNATE LOOK FOR THE PICTURE CAR. A THROWBACK TO A DICK SPRANG (YES, THAT WAS HIS NAME) STYLE BATMOBILE FROM THE 1940’S COMICS.
CO-DESIGNED WITH THE GREAT MARTIN EISLER.
WORK IN PROGRESS
DIRECTED BY: GRANT GUILLIAMS
PROP DESIGN & CONCEPT ART
